Picture by Léonete d'Angely |
I arrived early to set everything up. There was a non zero amount of running around because of forgotten items (oops) but the organizers had given us plenty of time (about 2 hours), which I very much appreciated.
At the suggestion of Mistress Vienna, I had business cards set out (Staples has one day printing, it was great!). I had also put out a book for comments, since I wasn't going to be able to actually hear those. I'll probably put out the book every time, now, because memories are good to have.
My display consisted of the two goldwork book covers I've made, with their documentation, as well as some test pieces that I did. The test pieces were there to be fondled and looked at, since the books themselves are somewhat delicate. I had many thoughts on how to make a better display from my A&S Champs experience, but all I managed to follow up on was a cloth for my space. My next display or competition I'll try to add one of the more complex things (right now, a step by step sampler that people can handle is highest on my list.)
Not shown: the piece of chocolate I immediately ate |
There were a couple of amazing services that occurred concurrently with this display that I wish I could have partaken in. First, there was a team of artisans who gave their time to give feedback and advice to interested participants on a one-on-one basis. I hope many people took advantage of this, since it's absolutely the best way to improve - especially if you want to compete! There was also some people who were offering appointments for free macro photography of pieces. I would have signed up for this in a heart beat, since I find taking pictures of my work quite challenging. I have my fingers crossed that this will happen next year as well, and that I won't have a conflict for it.
And a class!
There were several embroidery classes that I had my eye on this year, but I was only able to make it to one of them. But it was a great class, and I learned a new goldwork technique! The class was taught by Vavara Laska doch' Koudelka from Trimaris, and it was about couching over a card. The class was coming from the direction of Russian goldwork, but many cultures have used cards to raise up their embroidery, and to get very crisp lines. I find it in ecclesiastical embroidery particularly often.
As is the way with classes, we didn't remotely get to finish the little project, but I think I have a solid understanding of the technique, and the handout is very detailed. The actual technique is pretty straightforward, although it takes some finesse to get exactly right.
Now to decide what to do with it!
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